Editready 2 manual update#
Editready 2 manual software#
Editready 2 manual trial#
Editready 2 manual plus#

Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since 🙏 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format.

Editready 2 manual update#

Some MXF files previously transcoded with EditReady wouldn't load properly in EditReadyįix for an issue that truncated the last frame of some MXF files (thanks, David!)Īs the year ends, we're excited to ship our fourth major update to EditReady.

Editready 2 manual trial#

If you’re new to EditReady, you can download a trial version here and then decide to purchase a Single License for $79.įor more information about this release, please visit Hedge’s blog here.ĭo you already use EditReady for transcoding? What do you think of this 22.Recreate the source folder hierarchy on the destinationįaster transcoding when also scaling, on Apple Silicon (Thanks, Michael!)įix for a potential crash transcoding R3D footage on Intel Macs (Thanks, Dorian!)įix for playing back rewrapped HEVC files in FCPįixes a crash when opening new BRAW media with accelerometer metadata (Thanks, Akio!) The update is free for all existing users who renewed their license or have purchased a new one within the past 12 months. This improvement also applies to BRAW files shot on the Leica SL2-S, which recently gained the ability to output 12-bit RAW data over HDMI. Image credit: Leicaįinally, Hedge claims that transcoding of Blackmagic RAW files is now faster with EditReady 22.3. EditReady exploits the math behind it to properly convert ARRIRAW files from the ALEXA 35 into an edit-friendly codec of your choice. This includes a new gamma curve (LogC4) and wide-gamut color space (AWG4). Along with the camera, ARRI introduced the new REVEAL color science. Freshly released at the end of May, the company’s new flagship Super 35 mm cinema camera features a completely redesigned 4.6K sensor with an astonishing claimed dynamic range of 17 stops. Moreover, the 22.3 update welcomes the new ARRI ALEXA 35 to the list of supported cameras.

Editready 2 manual software#

According to Hedge, the software makes use of Canon’s own color science to provide an accurate conversion. This enables better handling of the footage during the editing process. EditReady users can now transcode this RAW data into a mezzanine file format, such as ProRes. This can be found on a vast range of Canon products, going from high-end cinema models (such as the C500 Mark II, C300 Mark III, and C200) to the 8K-capable EOS R5 C mirrorless camera. The new EditReady 22.3 introduces support for Canon’s own compressed file format, called Canon Cinema RAW Light. Image credit: ARRI EditReady 22.3: now supporting Canon Cinema RAW Light and ALEXA 35 Indeed, it embraces the popular Canon Cinema RAW Light format as well as the long-awaited ARRI ALEXA 35. The latest version of the software further expands the list of supported file types. Now, the company is introducing EditReady 22.3. Just a few months ago, EditReady 22.2 brought support for Sony Uncompressed RAW and X-OCN formats, along with the new Color Conversion panel. It allows users to convert original footage from a variety of different camera models into more manageable, edit-friendly files. The update is available now and is free for all existing users.ĮditReady is an increasingly popular transcoding solution developed by Hedge. Hedge has recently released EditReady 22.3 with added support for Canon’s compressed RAW format and ARRI’s flagship Super 35 mm camera, the ALEXA 35. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.